![]() Tyler threatens to shoot his father and gets sent into yet deeper therapy sessions. ![]() Him and Sam are still fighting over Salem. He's also reeling from the absence of his father. This sets up the asylum scenario for GOBLIN.ĭoes this make sense? Tyler is still mad at Sam for what happened on WOLF. If that isn’t enough, the name suggests that it’s Sam’s apology for the murders that he committed on “Pigs”.Īt the end of BASTARD, Tyler graduates school, but he’s still hella pissed at his father, threatening to shoot him. A guy talks about selling dope, how he went through a physciological phase, and how he’s battling half of his mental, continuing the characters narrative from WOLF. On “Pigs Fly” it seems that Sam makes an appearance. He says that she tried to play him like a dummy, by fucking around with Sam.įor the rest of BASTARD, Tyler’s already futile relationship with his father goes into overdrive ( "Seven"). On “Sarah”, it’s apparent that Tyler will never get over Salem. Tyler talks about a girl called Sarah - which isn’t “her fuckin name, just think this shit is clever” - is Sarah, Salem? Dr TC tells Tyler that there will be three sessions - BASTARD, GOBLIN, and maybe EARLWOLF? The storyline starts here with Dr TC meeting Tyler for therapy after he threatened to kill Sam at the end of WOLF. It’s important to remember here that Tyler talking dirt on NahRight, 2DopeBoyz etc. ![]() Which in terms of storyline, comes straight after WOLF. Now, are you keeping up? Are you confused? Do you need a drink? How about this video of Forest Whitaker that I mentioned earlier ? Take a break. It’s probably the reason Tyler got sent into deeper therapy, which brings us right back round to BASTARD and GOBLIN. If you’re at camp, talking about murder probably isn’t a good idea. If I seen that nigga, I would have killed him.” On the last track, Tyler says “Fuck that nigga Sammy. The album ends with Tyler getting sent to Dr TC for getting caught masturbating on “Tamale”. Tyler recruits Earl and Domo on “Rusty” to help him fight Sam, and on “Trashwang” they go to war. The “shit” gets delved into like doctors looking for something on “Pigs” as Sam murders a bunch of people. At the end of the track Tyler asks Salem “why is Samuel such a fucking dick?” to which she replies - “He isn’t such a badass actually, he’s only here because he ran away, because some shit happened back home.” This suggests that Sam wrote the song "IFHY", directed toward Tyler and Salem, because Tyler “shoved his cock bitch” (As referenced in "Yonkers"). Wolf Performs Sam's Song, Sam Performs Wolf's Song. In the video for “IFHY”, the description reads: He asks her to “take a chance with a nigga, like me.” and when Sam goes out on a drug run on “Bimmer”, Tyler tells Salem how her “man got a lame impala.” Sam comes back at the end of the track and is pretty pissed off because Tyler has taken Salem down to the lake, a location referenced on GOBLIN track “Analog”. On “Partyisntover / Campire / Bimmer”, Tyler starts to hit on Salem. Sam continues through the album, angrily rapping about how he sells blow (Y U Mad, bro?) while Tyler battles through father and fame problems (Answer & Colossus - Tyler's STAN moment). On “Slater”, Salem rides on the handlebars of Sam’s bike, while Frank Ocean pisses Sam off by bullying him for talking to a piece of scrap metal on wheels. ![]() On “Awkward”, Sam and Salem talk about how they met and fell in love. Specific characters lead the narrative of certain songs. The two then enter a tumultuous relationship throughout the trilogy, battling for the love of Sam’s girlfriend, Salem. When Tyler meets Sam, Samuel is brash and tells Tyler to “stay the fuck out of his way”. Tyler appears to have been sent to Camp Flog Gnaw to deal with the loss of his grandmother ( “Jamba”) and his inability to contact his father ( “Answer”, which is beautiful in a floating around in a haze bubble with R.Kelly kind of way) suggesting that Camp Flog Gnaw may be a misnomer for the therapy and asylum sessions set out on BASTARD and GOBLIN, respectively. The record starts with the title track, “Wolf”, in which Tyler is introduced to Sam, who has been at Camp Flog Gnaw for a while. So, imma go right ahead and put it at the beginning. First, without any music or lyrical bias, the cover art for WOLF suggests that the record has a a reminiscent theme, with Tyler looking back at images of a younger version of himself. Looking past the cultural references, the trilogy goes, in terms of narrative chronology, as follows.
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